by MW1221 » Thu Apr 03, 2014 4:44 am
Jammydodger wrote:MW1221 wrote:
I'm looking for the point of this post, and I'm not seeing it.
No and I can't see the point in your post either.
I understand, it's tough to see. You have to kind of tilt your head and squint.
You see, it's classical view of renaissance art. The zebra represents the antelopes, running for freedom, while the farm house represents the feared hunter, decked in the fur of his latest kill--the evil chipmunk. If you look really closely, you can see dollar signs in the chipmunks eyes, representing the death of a currency yet to be born.
The color scheme is probably the most magnificent though. See how the oranges are separated from the reds by the thin stripe of white? That's because of the constant struggle between good melons and bad melons. I mean, how often have you gone to the store and bought what you think is a perfectly good melon only to get it home and find out that it's a pumpkin, and a plastic one at that? I think the painter really captured that raw emotion. Don't you?
[quote="Jammydodger"][quote="MW1221"]
I'm looking for the point of this post, and I'm not seeing it.[/quote]
No and I can't see the point in your post either.[/quote]
I understand, it's tough to see. You have to kind of tilt your head and squint.
You see, it's classical view of renaissance art. The zebra represents the antelopes, running for freedom, while the farm house represents the feared hunter, decked in the fur of his latest kill--the evil chipmunk. If you look really closely, you can see dollar signs in the chipmunks eyes, representing the death of a currency yet to be born.
The color scheme is probably the most magnificent though. See how the oranges are separated from the reds by the thin stripe of white? That's because of the constant struggle between good melons and bad melons. I mean, how often have you gone to the store and bought what you think is a perfectly good melon only to get it home and find out that it's a pumpkin, and a plastic one at that? I think the painter really captured that raw emotion. Don't you?
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